SF Bay Area Writers, Check Out This Narrative Writing Workshop Lead by an Editor and Writer Who Has Edited More Than 1,000 Books

If you live in the SF Bay area, if you’ve long wanted to write or book, or are stuck in the middle of the book, join me at Book Passages in Corte Madera for six Sundays beginning April 17 for a workshop on narrative techniques in fiction and non-fiction.

Click here for details and to register for the workshop.

You’ll get personal feedback on your chapters, stories, outline, and an honest assessment on how and where you might seek publication. You’ll get advice on making and executing a plan to publish your work from an editor and publisher with more that 40 years in the publishing business, who has edited everything from NY Times Bestsellers to amazing tales of other worlds, non-fiction and some fiction. (You can find more information about me on this site.)

I usually only work one on one, at a much higher cost to writers. So this is a rare opportunity of good value and an opportunity to hang out with other writers. There aren’t that many spots left. The workshop is limited to 10.

Join me if you can. (And if you can’t, please pass this invitation along).


A Blog Sidetracked, Hijacked, and Derailed All before the Ides of March

This post is a version of the dog ate my homework, or why I haven’t posted anything for two months. Around that time I posted my intention to do a one line writing practice every day, inspired by an article about a NY Times videographer. It was going to be a little side project, an exploration, while I did my real writing and work–this blog, two manuscripts I’m in the midst of, and some editing and consulting. Well, life intervened in the form of a medical crisis (I’m on the mend) and a hugely disruptive leak that forced me to move out of my condo for a period of time only days after surgery (I’m still not home).

And practically the only writing I’ve managed to do is those one-liners, recorded in the “notes” section of my phone. And, at the end of the year, I’ll have an archive of a kind I’ve never had before.

Being on the mend, I’m turning my thoughts to other projects. I’ve found a few interesting articles to post about. Watch for those in the coming days.

And I’m working on a workshop I’ll be teaching coming up next month (April 17th) for six weeks at Book Passages in Corte Madera, CA (for those of you who might be in Northern California). Here’s the link: Workshop information.

There’s very little I love more in the world that talking with writers about what they’re doing, sharing techniques, giving feedback, helping them shape their work. This  workshop will be a chance to do it in a small group. There will be assignments designed to help you dig deeper; feedback on your work in progress; and fun!

Write on, through thick and thin. Don’t think about it too much. Just sit down and do it. That’s my instruction to myself for this week.

Write Every Single (almost) Day!

This post comes under the do as I say, not as I necessarily do. And what I have to say here is nothing new under the sun. People have written whole books about this (Julia Cameron, Natalie Goldberg, and so many others). I’m saying it again because a small story in the New York Times at the end of the year struck me. A video reporter made a one-second video (almost) everyday for a year. As I read Daniel Victor’s article about his experience I translated it into a writing exercise that I’ve just begun.

I’m kind of a technidiot (shh! don’t tell). So I’m not going to make a one-second video everyday, although I did recently video my grandson successfully navigating his new skateboard for the first time. What I’m doing is writing a caption to the one-second video, moment caught in time, in my head.

Today’s is: Give up the concept of buttoned down.

One line, once a day. Maybe nothing will come of this. Maybe I’ll get bored. And, maybe, just maybe I’ll learn something about myself and my work. Maybe a germ will grow into a bigger idea. Maybe a poem will be born. Or a bit of character description and back story for my novel in progress. So I’m going to try it. Click here to see the article.

Write on!

Why You Might Want a Writing Coach, Instead of an Editor

When I speak to groups about writing and editing, people sometimes ask about what an editor can do for them. If you are closing in on a finished manuscript (fiction or non-fiction) or proposal (for a non-fiction book) you may want to look for a line editor–someone who can sort our tangles of sentences; re-order your paragraphs; suggest cuts or alternative wordings; and generally polish your work. And/or, if you have a more polished version of a manuscript almost ready for typesetting, you may want to find a copy editor (and if you are being traditionally published, your publisher will find one) who corrects grammar and punctuation; makes sure that there are eight steps when you say there are or that all your characters have retained their final version names and biographical details in a novel–details like that.

But, if you’re not at that stage, if you’re stuck in the middle or at the beginning of a new project, or don’t know if you’re writing a memoir or a novel, or need some motivation and direction, you might benefit from a writing coach. Like life coaches, writing coaches do a lot of different things, but what they mostly do is encourage you, find ways to allow you to be  your better self and write a better book.

In my consulting with writers, one of the things I do is to ask a lot of questions. I read the first 25-50 pages of a novel, maybe an outline if the person has one, or a chapter or two of a non-fiction book. In my first meeting, I’m generally trying to help writers clarify the scope of their project. We talk about structure, how to tell the story, what to leave in and often what to exclude. We agree to next steps–goals if you will, or assignments.  When we meet again, and these meetings can be in person or by phone, we review progress, set more goals. I continue to read and comment on the manuscript in progress. I make suggestions about possible avenues for publishing. And I continue to ask the questions and suggest the goals and deadlines that will get the book done. I’m on the virtual sidelines cheering, cajoling, coaxing you to get that book done.






















How to Write about Sex–Let Me Count the Ways

Okay, I’m not actually going to write about how to write about sex here. I’m not even sure I can put the word “sex” in a blog headline. If the blog police don’t blow the whistle my Catholic upbringing might. But, as Noy Holland points out, there are a lot of ways from the explicit to the barest innuendo, the down and dirty to the sublime, to write about sex.   See the article here.

I’ve read many, but not all, of the stories and novels Holland mentions in the article. And I recommend them to you. It’s been said many times and many ways: if you want to write fiction, if you want to write a particular kind of fiction, reading fiction–studying it–is one of the best things you can do. Besides writing. Dive in and try it!


Famous Women Writing Their Own Stories, Or 25 Little Lessons on Writing

I can’t tell you how much I love this collection of quotes/article. I thought of copying some of them whole, right into this blog. I also thought of copying some of them on my old-fashioned notecards–yes, 3″x5″ written in lovely blue pen–and hanging them on my office wall. They are that strong. That moving. That inspirational.

Check it out:


These weren’t written as writing assignments. But they could be!

Like this:

Nora Ephron: “In the way I grew up, we knew that you might write about almost anything if you could just find a way to tell the story — that was what we believed in our house, that was religion in our house. Everything was copy.” —Time, November 2010

What’s some copy in your life? Find a way to tell the story so it makes you (and subsequently your readers) laugh or cry and want to go on.

Or this:

Maxine Hong Kingston: What is universal? There could be some peculiarity that you have in your self, but if you can make it an art, make it part of a story, then when another person reads it, it becomes part of his or her life. And so one’s odd self and ideas become part of the human universal story.” -—“Interview with Maxine Hong Kingston,” July 1996

What is so peculiar in your story that it becomes universal when you tell it a certain way?

Write on!

Time Sensitive–Free Webinar 10/21/15 on MFA Programs


From a Publishers’ Weekly newsletter–here’s a one-hour free webinar about what MFA programs are looking for in applicants. I look back more than fondly on my later-in-life MFA experience at San Francisco State. Among other things, I read widely–things I never would have found on my own. And I loved the assignments and deadlines.

Hmm, I’m not going back to school, but maybe giving myself some assignments and deadlines isn’t a bad idea. Oops. Off topic. Check out the webinar if you’re interested. And have a good week people!